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What he didn’t realize that in 1953 you couldn’t drop in cherish with two women at the same time. He did anyway. He surely did know you can’t be married to two women at the same time. He lived in San Francisco & his marriage had become as chilly as his business. He sold deep freezes.
Wife #1 of eight years, Eva was barren & had thrown herself into the business, neglecting Harry. On his weekly business streak to Los Angeles, Harry meets & becomes keen with Phyllis. In an peril to revive their marriage Eva & Harry choose to adopt. Eva undergoes an attitude adjustment & their relationship improves. Unfortunately, Phyllis proves to be be very fecund. Because he loves her, Phyllis becomes wife #2. In an immodest amount of time, she has a baby. The movie implied to me that it would have been better had Harry merely kept Phyllis as a mistress. But because he tried to be a decent guy he got busted. It’s a most execrable crime & justice (? ) will be severe. Ida Lupino serves double duty here & she’s one wonderful director. Her acting as Phyllis is very agreeable as is Joan Fontaine as Eva. But the best perfromamce is Edmund O’Brien as Harry. He really shows some acting chops in this one. Ida Lupino had not gotten the recognition she deserved as the fair director she was in her maintain time. She is getting a runt now belatedly, thanks to TCM.
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Ida Lupino, best known as a pragmatic, sensible, bright actress of the 30s – 50s, usually playing tough but kind-hearted, hard-luck characters–HIGH SIERRA, ON Hazardous GROUND–was also a producer and an independent filmmaker. She acted in and directed a lot of TV too, into the 1970s. The half-dozen films she directed were mostly dramas, often about “controversial” subjects. THE BIGAMIST takes a rather stolid Edmund O’Brien, married to a supremely self-confident and classy Joan Fontaine in San Francisco, and since O’Brien is a traveling salesman whose job takes him frequently to Los Angeles, one thing leads to another and he pairs up with with working-class Ida Lupino in LA. THE BIGAMIST sets out to try to understand this ordinary hero who ends up married to two women. Sounds intelligent, and the film has a star cast: why is it such a unimaginative experience, then?
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